Movies
- 1971

Some of My Best Friends Are...
Some of My Best Friends Are...4.61971HD
Regulars gather at The Blue Jay, a gay bar in Manhattan's Greenwich Village, to celebrate Christmas Eve 1971 with people they consider family.
![Some of My Best Friends Are...]()
- 2017

Raymond Roussel: The Day of Glory
Raymond Roussel: The Day of Glory62017HD
A tortuous journey, in the company of the Spanish painter Salvador Dalí, around the figure of the enigmatic and visionary French poet Raymond...
![Raymond Roussel: The Day of Glory]()
- 1978

Newtonian I
Newtonian I21978HD
An illusion of 3 dimensions is achieved by a blending of mathematics and physics to carry the spectator through a new range of audio and visual...
![Newtonian I]()
- 1979

Rituel
Rituel81979HD
Music performed by The New York Philharmonic Orchestra and conducted by Pierre Boulez. Schwartz manipulates by computer, in real-time the images of...
![Rituel]()
- 2005

OHM+: The Early Gurus Of Electronic Music : 1948–1980
OHM+: The Early Gurus Of Electronic Music : 1948–198002005HD
Drawing on rare performances, interviews, animations, and experimental film, this documentary surveys the formative years of electronic music from...
![OHM+: The Early Gurus Of Electronic Music : 1948–1980]()
- 1976

The Artist and the Computer
The Artist and the Computer4.81976HD
Pioneering artist Lillian Schwartz demonstrates the human input -- integrity, artistic sensibilities, and aesthetics -- that goes into producing...
![The Artist and the Computer]()
- 1990

The Lady or The Tiger
The Lady or The Tiger01990HD
Created in 1990 at AT&T's Bell Labs in a program called Sculpt, one of the very first real-time texture mapping programs.
![The Lady or The Tiger]()
- 2013

Xtreme Sightings
Xtreme Sightings02013HD
This animation can be watched in 2D or using Chromadepth Glasses in 3D.
![Xtreme Sightings]()
- 1978

Poet of His People
Poet of His People01978HD
Pablo Neruda’s life unfolds and becomes the basis for the symbolic representation of his poem “Barcarola”, intermixing live action,...
![Poet of His People]()
- 1973

Papillons
Papillons21973HD
Mathematical functions are the basis for a science film on contour plots and an art film. Both are shown simultaneously at a two screen production...
![Papillons]()
- 1970

Pixillation
Pixillation6.21970HD
Pixillation features computer generated abstract animations set to Moog-synthesized sound.
![Pixillation]()
- 1971

UFOs
UFOs5.41971HD
Blasting off into cosmic visual abstraction, pioneering computer artist Lillian Schwartz’s UFOs is a kinetic tour-de-force whose innovative...
![UFOs]()
- 2013

The Beauty of Excess
The Beauty of Excess02013HD
This animation can be watched in 2D or using Chromadepth Glasses in 3D.
![The Beauty of Excess]()
- 1976

Pictures from a Gallery
Pictures from a Gallery31976HD
Picture-processed photos from the artist-filmmaker’s family. Faces are abstracted in a divisionistic manner.
![Pictures from a Gallery]()
- 1972

Mathoms
Mathoms31972HD
A playful concoction of computer produced images, a few hand-animated scenes and shots of lab equipment. Made largely from left-overs from scientific...
![Mathoms]()
- 1978

Newtonian II
Newtonian II21978HD
This film is strongly rooted in its underlying mathematical structure which forms the basis for the images. The music by Jean Claude Risset is...
![Newtonian II]()
- 1972

Googolplex
Googolplex4.51972HD
Extended editing techniques based on Land’s experiments affect the viewer’s sensory perceptions.
![Googolplex]()
- 1986

Beyond Picasso
Beyond Picasso01986HD
Schwartz reordered and combined angular contours, broken planes, and distorted proportions in her own pictorial structures in an homage to Picasso's...
![Beyond Picasso]()
- 1977

Dancer 2
Dancer 201977HD
The movements of a dancers body are recorded, studied, reshaped, to understand the anatomical ranges of joints. Music by Albert E. Miller.
![Dancer 2]()
- 1976

On-Line
On-Line21976HD
Musicians and dancer perform in real-time while Schwartz plays a computer-keyboard to create special effects on a computer-controlled video-visual...
![On-Line]()










